In the opening story, “The Dirty Kid,” a graphic designer becomes obsessed with a homeless pregnant woman and her son, a mania that worsens when the decapitated body of a child is dumped nearby. I wanted to visit her house. (Like Flores and Schweblin, Enriquez's work is translated into English by Megan McDowell.) "Spiderweb" appeared in The New Yorker. Mariana Enríquez has written various stories that fit just this pattern, but five pages in to the International Booker prize-longlisted The Dangers of Smoking in Bed, as a woman attempts to strangle the undead corpse of a three-month-old baby – her great aunt, as it happens – it struck me that when you’re writing fiction that wants to disturb and unsettle its readers, breaking the rules can be just as productive as following them. A gripping collection that draws on the Argentinian military dictatorship to mix daylight horrors with supernatural shocks, In 1927 MR James, author of some of the most indelible ghost stories ever written, gave a lesson in how to do it: “Let us, then, be introduced to the players in a placid way; let us see them going about their ordinary business, undisturbed by forebodings, pleased with their surroundings, and into this calm environment let the ominous thing put out its head, unobtrusively at first, and then more insistently, until it holds the stage.”. Join Facebook to connect with Brenda Mariana Enriquez and others you may know. Virgilio Piñera said that Kafka was a costumbrista writer in Havana; we might suggest, with Enriquez in mind, that the gothic is a costumbrista genre in Argentina. 314 W Eighth St. Oak Cliff. September 10, 2020 | Kirsty. Recently published on February 1st, 2017 by Crown Publishing. Things We Lost in the Fire: Stories (Spanish: Las cosas que perdimos en el fuego) is a short story collection by Mariana Enriquez. … Following his voyeurism, this act of withholding is the final cruel detail in a story that powerfully captures the isolation and abandonment abused women often suffer. This debut collection by Buenos Aires–based writer Enríquez is staggering in its nuanced ability to throw readers off balance. Mariana Enríquez holds a degree in Journalism and Social Communication from the National University of La Plata. MARIANA ENRIQUEZ is a writer and editor based in Buenos Aires, where she contributes to a number of newspapers and literary journals, both fiction and nonfiction. In “Kids Who Come Back”, the longest story in the book, missing children start reappearing in the capital’s parks, never a day older than when they vanished. Things We Lost in the Fire by Mariana Enríquez (translator: Megan McDowell) 1/5 stars 208 pages You know how, when you read a story you (ideally) develop a sense of connection to it and/or the characters? Lauren Smart is a freelance arts writer –former Arts & Culture Editor at the Dallas Observer– and she also works as an adjunct journalism professor at Southern Methodist University in Dallas, where she teaches arts writing and criticism. Originally published in Spanish, it was translated into English by Megan McDowell in 2017. About MARIANA ENRIQUEZ MARIANA ENRIQUEZ is a writer and editor based in Buenos Aires, where she contributes to a number of newspapers and literary journals, both fiction and nonfiction. Comprising 12 tales that straddle the line between urban realism and hardcore, sometimes truly shocking horror, they bring the reader into the darkest reaches of Buenos … A collection of short stories set in Argentina, filled with macabre imagery and abhorrent behavior, none of which will leave you feeling all that happy. Review of Mariana Enriquez's Things We Lost in the Fire: Stories. When he resurfaces one night he types to her, “How will you know once I am a machine?”. Well, Things We Lost in the Fire seems like it is actively trying to make those connections just to purposefully cut… Princeton University Library One Washington Road Princeton, NJ 08544-2098 USA (609) 258-1470 David December 15, 2016 at 2:31 pm Even if it’s a horrible ending, it’s an ending. That is what happens to the protagonist of the latest novel by Mariana Enriquez, Our part of the night (Anagram), a medium with supernatural powers capable of invoking Darkness. She has published the novels: Bajar es lo peor, … In The Dangers of Smoking in Bed, Argentine writer Mariana Enriquez lures us on road trips with a zombie baby, and a group of catty teenager girls to quarry, and into neighborhoods besieged (by a curse) in Buenos Aires and (by a stink) in Barcelona, and to a sleepover on Buenos Aires’s outskirts, or the first-person plural narrator describes it, “East Bumfuck” (incredible … We didn’t really know the right way to say it.”. The cameraman spends two nights with her and never sees her mysterious, apparently phantasmal assailant, but films Marcela’s naked, “slender and destroyed” body as she sleeps. To order a copy go to guardianbookshop.com. What kind of Virgin is the statue, and why do you think Natalia is able to summon this curse? It’s interesting that Natalia ends up appealing to “the Virgin” for her revenge. The story begins with the details of Gauchito Gil, a saint who befell a horrific murder but offered his perpetrator’s son a chance at life. In End of Term, the narrator has watched a classmate rip her own fingernails off, slice her own face, rip out her eyelashes, yet she is inquisitive. They were disappeared. In “No Birthdays or Baptisms” the parents of a young woman called Marcela (readers of Enríquez’s previous book will remember her from the story “End of Term”), who is self-harming in extreme ways in her sleep, hire a cameraman to film her. “Back When We Talked to the Dead” is a story about teenagers messing around with a Ouija board. When she asks to see the tape, he decides not to give it to her and swears he will never return to her house. In these … In “No Birthdays or Baptisms” the parents of a young woman called Marcela (readers of Enríquez’s previous book will remember her from the story “End of Term”), who is … Things We Lost in the Fire by Mariana Enríquez Hogarth (2017), Las cosas que perdimos en el fuego por Mariana Enríquez Vintage Español (2017). Some have bruises that have stayed fresh for years. This is the second collection of hers to be translated into English by Megan McDowell, following 2017’s Things We Lost in the Fire, but in fact The Dangers of Smoking in Bed is the older of the two, having first appeared in Argentina in 2009. Coming soon! In short, Mariana Enriquez reads Argentine society with a feminist lens that evinces the structural violence imposed by necropolitics, class inequality, and gender. Macabre, disturbing and exhilarating, Things We Lost in the Fire is a collection… The Dangers of Smoking in Bed by Mariana Enríquez, translated by Megan McDowell, is published by Granta (£12.99). The narrator keeps saying about the boyfriend, “Sad people are merciless.” Eventually his dot stops turning green as often. Things We Lost in the Fire contains dark, feverish stories about women who chase ghosts and fixate on violence. While much of horror’s subject matter is universal – a fear of spiders, or being pursued, or, of course, death – it’s often the culturally specific elements that make it memorable: think of the Middle English folk song at the climax of The Wicker Man, or the American high school prom as the venue for revenge in Stephen King’s Carrie. Characters appear as hallucinations and disappear like ghosts — young girls, husbands; other characters become conduits for the realizations of fear or violence. If you want to wince, flinch, and momentarily panic when you switch on a light, this is a book for you. This is Mariana Enríquez’s ... Not a story that’ll change anyone’s life, but I thoroughly enjoyed it and look forward to reading more of Enriquez’s work. Mariana Enriquez is an award-winning Argentine novelist and journalist whose work has been translated into more than twenty languages. Let’s hope they end 2016 with a great story. Enríquez has a talent for short, mechanistic stories that efficiently deliver satisfyingly nasty shocks, but one like this – while a little structurally ungoverned – lodges itself far deeper in the mind. Characters appear as hallucinations and disappear like ghosts — young girls, husbands; other characters become conduits for the realizations of fear or violence. There’s nothing gentle about the stories in Mariana Enriquez’ Things We Lost in the Fire. All represent “nomadic subjects” (Braidotti), rendered precarious. This collection, translated by Megan McDowell, travels through the various neighborhoods of Buenos Aires, where the Argentinian author resides — a city haunted by the not-so-distant violence of life under dictatorships. The country’s turbulent history, steeped in its superstitious culture, become the shadows where Enriquez’ stories lurk. She is the author of Things We Lost in the Fire , and her novel Our Share of the Night , which was awarded the prestigious 2019 Premio Herralde de Novela, will be published by Granta Books in 2022. ‘End of Term’ is an account of a student’s violent self-harming, with an inevitable twist. Delivery charges may apply. Enriquez’ ghosts, it seems, belong both to the past and the future. The journalist and author fills the dozen stories with compelling figures in haunting stories that evaluate inequality, violence, and corruption. This fall, I got the chance to converse via email with Mariana Enriquez, an Argentine writer whose newly translated story collection, Things We Lost in the Fire, was one of my favorite books of 2017. Introducing our 10 best debut novelists of 2021. As parents reject the children, convinced they’re impostors, the city’s inhabitants become indolent and depressed, giving a flavour of the sort of society-wide maladies found in José Saramago’s fiction. In less explicit ways, this repression seems to lie at the root of several other stories. The country’s turbulent history, steeped in its superstitious culture, become are the shadows where Enriquez’ stories lurk. Dallas, TX 75208. In the opening story, The Dirty Kid, a woman moves back to her old family home in Constitución, a neighborhood that has suffered the pendulum swing of gentrification. She works as a journalist and is the deputy editor of the arts and culture section of the newspaper Página/12 an she dictates literature workshops. In “The Lookout”, Elina has never told anyone about being raped: “She had just showered, and she’d cried.” In “No Birthdays or Baptisms” the parents of a young woman called Marcela (readers of Enríquez’s previous book will remember her from the story “End of Term”), who is self-harming in extreme ways in her sleep, hire a cameraman to film her. These are women with courage or morbid curiosity. In “Back When We Talked to the Dead”, a story about teenage girls messing around with a Ouija board, Enríquez shows how those events, like any trauma, led to repression and silence: “The thing was that everyone knew Julita’s parents hadn’t died in any accident: Julita’s folks had disappeared. Now, Argentine writer Mariana Enríquez joins their ranks with a ravishing new story collection, The Dangers of Smoking in Bed, a volume that reimagines the Gothic and gives it a wholly original spin. Mariana Enriquez, Things We Lost in the Fire, translated from the Spanish by Megan McDowell (Portobello Books, 2017) Two things that don’t normally appeal to me are horror stories and the supernatural, so Things We Lost in the Fire (a collection of supernatural horror stories) wasn’t an obvious choice for me. Most of the missing children in “Kids Who Come Back” are girls who “fled from a drunken father, from a stepfather who raped them in the early morning, from a brother who masturbated on to their backs at night”. “The only thing I wanted was for her to talk to me, to explain it all to me. Most things in life don’t have an ending, and I don’t see why they get to have one in fiction.” Despite the undeniable supernatural elements in Enríquez’s work, each story also highlights the beauty and the grime of Buenos Aires. When a gruesome murder befalls a young boy, the woman becomes obsessed with the idea that it is a kid she used to see on her street corner. Mariana Enríquez is an Argentine journalist, novelist, and short story writer. He’s locked the door to his room at his mother’s house for weeks and then months and won’t emerge, so she waits for him to appear as a colored dot on their chat log. Argentinian author Mariana Enriquez’ debut English language collection, Things We Lost in the Fire, had been on my radar for a while before I found a copy in my local library.
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